Wow, that was fun! I got to sit down with three excellent authors and talk about writing and marketing Fantasy books. We covered my philosophy on marketing (i.e. keep it comfy and save the challenge for the writing!), how artwork can help a project come to life and how authors need to go local to sell books.
Here’s the newest giveaway for The Camelot Kids! Click on the button above and enter to win the softcover book that collect The Camelot Kids Parts 1-4.
“If you have been waiting for a book that will take you back to the day when you first read Harry Potter, then your wait is over.” – A Chick Who Reads review (5 Stars)
“I don’t think I have had such a fun time with a book since I read Percy Jackson.” – Belle’s Beautiful Books review
What would you do if an odd girl in a cloak told you, “You know you’re a descendant of King Arthur’s knight, Lancelot, right?” You’d probably do the same thing 14-year-old New Yorker Simon Sharp does. Back away nice and slow.
But Simon learns the truth when he’s kidnapped by a drunk troll, rescued by a 7-foot man named Merlin, and thrown into training with 149 other heirs of the Knights of the Round Table.
Can Simon survive a prophecy that predicts the world will be saved through its destruction? The Camelot Kids is about one boy’s struggle to make it to tomorrow in a world both real and fantastic.
“Zackheim does an excellent job of twisting the story away from your expectations – and in places even uses your expectations, both of the genre itself and the source material, against you.” – Nicholas Pozo, Goodreads reader
[Tweet “Spend an hour a week listening to one of these podcasts for writers. Go in with eyes wide open!”]
From Joanna Penn‘s excellent selection of business tips to The Self Publishing Podcast‘s eerily helpful smack talk, there’s something here for you to enjoy.
The Self-Publishing Podcast is one my my favorites, with Sean Platt (@SeanPlatt), David Wright (@thedavidwwright) and Johnny B. Truant (@JohnnyBTruant) lobbing inside jokes peppered with fantastic ideas. The charm of the hosts is a big part of the draw but their success can’t be ignored. My money is on these three authors hitting it BIG and it’s fun to watch their careers grow. What’s the benefit for us? We can draw parallels with their hard work, disappointments, victories and struggles. It’s like an epic serialized story with three guys sitting on their asses.
Best enjoyed with: A red chili lunch with espresso chaser.
Joanna Penn (@thecreativepenn) is a staple of the indy community. She’s been sharing her experiences as an author and entrepreneur for a few years, so her perspective has weight. She’s recently started to focus on the craft of writing as well. I like Joanna for her optimism and her focus on the future. Anyone who can make me feel good about this tough business has earned my attention!
The Reading and Writing Podcast is a great way to hear from your favorite authors about their latest books and the writing life. From Dean Koontz to Lee Childs to Walter Mosley, this podcast snags some of the best writers in the business. Straight-forward, insightful questions from the host Jeff Rutherford (@JeffRutherford ) make the podcast a must-listen for those moments when you just need inspiration and guidance. At 181 episodes (and counting) this is the legacy podcast that should be on everyone’s subscription list.
The Self-Publishing Roundtable is a storied podcast with high turnover. People come, people go, but it always remains informative. They cover everything from marketing tactics to creative tips. The conversations are intelligent, focused and current. For example, one of the newest episodes cover Mastermind Groups. Yes, Masterminds are packed with buzzy-sugarness but they are a useful way to get inspired fast.
Best enjoyed with any slow food. Good for the digestion!
The Science Fiction & Fantasy Marketing Podcast covers, um, Science Fiction and Fantasy marketing. Lindsay Buroker (@GoblinWriter) of The Emperor’s Edge fame joins Joseph Lallo (@jrlallo, The Book of Deacon) and Jeffrey M. Poole (Tales of Lentari) to discuss tactics and strategies for one of the most popular genres. The podcast is relatively new but the years of experience shine through. From showing up at shows with 3D printed swag to maximizing free promotional days, this one covers the tried-and-true and the cutting-edge.
If soothing British accents are your thing, then you need to tune in to Rocking Self-Publishing to find a mantra. If you like soothing British accents that are saying something useful then browse the Rocking Self-Publishing library. Packed with wisdom, inspiration and common sense it’s a welcome break from the grind. Simon Whistler (@RSPPodcast) is enthusiastic and hungry to extract useful information for himself and his listeners.
Best enjoyed with: Tea (spiked with tequila). Bacon.
This new podcast also enjoys the presence of Lindsay Buroker (she’s everywhere!) The show is low-key and informative, with co-host Adam Poe (@xAdamPoe) touching on topics that we have questions about. Pay special attention to episode 7 where he goes over how to get your books on Google Play. He’s found some success there and recommends authors get their books up for sale ASAP. I also enjoy The Writing Podcast‘s wise choice to interview traditionally published authors. We all have something to contribute to this writing life.
So there you have it! My favorite podcasts for writers. Every one of these shows is consistent, informative, well-intentioned and worth checking out. If you end up becoming a fan, tell them I sent you! ;-)
What are your favorite podcasts for writers and authors? Answer in the comments below…
Do you want to know a little more about The Camelot Kids? Check out the book trailer for a peek at Simon Sharp’s incredible adventure into New Camelot.
What would you do if an odd girl in a hooded cloak said, “You know you’re a descendant of King Arthur’s knight, Lancelot, right?” You’d probably do the same thing 14-year-old orphan Simon Sharp does: back away nice and slow. The difference is Simon’s Camelot-obsessed parents recently died under mysterious circumstances.
But he learns the truth about their fate and his heritage after he’s kidnapped by a drunk troll, rescued by a 7-foot elderly man named Merlin, and thrown into training with 149 other heirs of the Knights of the Round Table. Can Simon survive a prophecy that predicts the world will be saved through its destruction? Can he do it while clues keep popping up that his parents are alive?
The Camelot Kids is about one boy’s struggle to solve a mystery and make it to tomorrow in a world both real and fantastic.
Second, this contest is being run and fulfilled by Amazon, using their new Amazon Giveaway service. It took about three minutes to set up. Their instructions need to get ironed out a bit, but it’s live (after waiting for an hour).
The cool thing is that you simply buy the item you want to give away and they take care of landing pages and fulfillment. They also made the process a “Click on the box to see if you win!” deal. Those are fun. And, maybe best of all, they allow you to require a Twitter follow to enter the contest.
My cousin is a musician. He’s worked his entire professional life amidst notes; touring with a successful band for years, producing several fantastic CDs and teaching. When iTunes slammed into the planet and made music digital and cheap he was angry.
“Too bad, cuz,” I’d say. “You know what they say. Adapt or die!”
Okay, I didn’t say it like that, but it’s the message that he probably took away from our debates.
Then Spotify and its ilk pushed music even further into the ether. Songs became not just a commodity, but a common element. Like air, except louder and with a riff.
Poor music business.
But what if indy authors have more in common with our musical peers than we think? What if the proliferation of subscription services is sending us down a path of permanently earning less for our books.
I’m an optimist. I believe that the writing life is a wonderful life. I know it’s here to stay. But it may need to change into something different.
So I got to thinking. Stand back. It’s a dangerous thing. Ask my wife. Or my cousin.
Here’s my take…
Musicians have concerts. Gigs can add some cash to the coffer as music sales drop through the stage. At gigs, bands sell CDs (and LPs!) to the audience.
But writers have nothing similar. Book readings are the closest thing, but they’re not as essential to the reader as live music is to the music fan.
So are we doomed to just maneuver the same turbulent sea of shifting tactics to survive Amazon’s whims, or Facebook’s changing policies, or a tiered Internet?
Believe it or not, I’m going somewhere positive with all of this.
What if writers need to produce their work to find that alternate revenue stream? Produce our work? What the hell does that mean, Ben? Well, what if I need to make The Camelot Kids a comic book and a weekly animated short for it to make me money? What if Shirley Link is a monthly podcast and a small indy film? Maybe your book is a future YouTube hit? What I’m searching for here is that secondary revenue stream that leverages the wonderful book we’ve written and builds upon it for a modern audience.
Does that makes sense? I mean, we tell stories. On paper. On touchscreens. But maybe we need to ponder other ways to tell our stories.
Maybe we need to tap into these social network thingies and find audio recording, film making, 3D animating peers who will work for a cut of the profits.
As importantly, maybe new services need to spring up that help us make our books into animated movies, or plays, or films, or games, or virtual reality experiences. Yes, there’s ACX. There are fun toys like Booktrack. Those are along the lines of what I’m talking about, but what I’m starting to see is that I need to break out of my comfort zone (even more than I already have). I’m starting to see that the same way that musicians had to learn to set up a gig, perform and connect with music fans in a whole new way, well maybe in some twisted, introverted wordish way that’s our future, too.
What do you think? Could you envision writers as media producers? Do you think a successful indy author will need to be a successful media producer in the near future? Is the thought too terrifying to ponder? Or does it excite you?