How to write about King Arthur, Camelot, Excalibur and Merlin. Feel chivalrous.
NOTE: This is the third post in a series,where I hope to capture the stress, heartache and rewards of writing a book with characters from the Camelot mythology. The title of my upcoming book is The Camelot Kids.
Catch up with part one and part two in this series for a complete picture.
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Writing is hard.
Writing about famous figures is harder.
Writing about Camelot is downright dangerous. The consequences of taking creative license with something that has Ivy League programs dedicated to it invites wrath that’s usually reserved for atheists writing about God. But, really, can you think of a more exciting hill to climb?
When I started researching The Camelot Kids, I’d never read any of the classic Arthurian tomes. I’d never seen the racy Excalibur flick or Disney’s Sword in the Stone. But somewhere along the line I’d become so familiar with the gist of the key characters that I spontaneously grew an appetite to consume their stories, old and new.
As I immersed myself in the myth of Arthur and his Knights of the Round Table I’ve been struck by how familiar it is. Where did I ingest the story so deeply that I could tell you about Mordred or Morgan Le Fay? How could I recall the young Arthur pulling the sword from the stone? Why was Lancelot so burned into my mind’s eye?
When I read A Connecticut Yankee in King Arthur’s Court, I was surprised to find that it was good to see these old stalwarts, these staples of fantasy. It wasn’t quite the same as seeing a new Indiana Jones movie, or picking up a new Harry Potter, but it was still a tug at the heart which is the sole domain for old favorites.
But how could a myth that I’m unfamiliar with mean anything to me?