by Ben Zackheim | Sep 15, 2014 | Book Promotion, Digital Identity, Sell your book, Writing |
My goal with this post:
To give you clear tips on how to arrange your Twitter activity. The tips will be practical and will help you manage your personal and professional sharing. Let me know how I did in the comments!
I did it. I finally did it.
I’ve been on Twitter since 2007, which means, well, I’ve spent a lot of time worrying about tweeting since 2007. Oh, I have a lot to say. I have a lot to share. I always spot interesting conversations. The problem for me has never been finding things to disperse. The problem has been The Twitter Time Suck.
The Twitter Time Suck is:
- The black hole of starting to tweet interesting material and not being able to stop.
- The anxiety around whether my tweets are having maximum impact, which leads to more tweeting.
I’ve spent the last several years trying to find a way to make posting take less time but be more rewarding. What do I mean by rewarding?
- Just as every conversation I have with a person is part of the fabric of my life, I want my posts (on every platform) to reflect who I am (NO PRESSURE!)
- I enjoy connecting with someone.
- I like to get traffic to my site.
- I like to sell books.
If those four points sound familiar, and you also fret about The Twitter Time Suck, then I may have some good news. I’ve found a perfectly reasonable system to keep my tweeting to 15 minutes per day.
Last year I started to manage social media for The School of Visual Arts’ MFA Visual Narrative program in NYC. It’s a fantastic low-residency Masters degree with faculty like Benjamin Marra, Joe Kelly and Edward Hemingway. Because the focus of the degree is on visual storytelling you can imagine how daunting the task of sharing information via Twitter was to me. Remember, I still had to manage my own social media efforts. Having so much to dig through easily led to brain-hurt.
So I started to try a few things to help me juggle it all. I’ll spare you the trial and error.
This is where I landed
1) Use your morning activities:
We have coffee, we shower, we brush our teeth, we read the news. Morning routines (even busy ones) are where many of us quietly review our priorities and our dreams/wishes/aspirations for the day. There’s a lot to find in that mental landscape. Be mindful of your thoughts. Don’t just think them and let them go. If the warm water on your head makes you think of something funny, say it out loud. That will help make it real and memorable. If you want to share it with the world, well, then you have your daily observational tweet!
If you come up with more than one thought, jot it down in a txt file asap. You can tweet it later using…
2) Hootsuite. Use it.
Hootsuite allows you to queue up your tweets. This is the critical task in any effort to simplify tweeting. You can also use Hootsuite to post to Facebook and LinkedIn. Yes, I’ve used Buffer and Klout. Hootsuite is the best.
3) Set your tweet limit for the day.
My limit is six tweets. For some, that’s low. For some, that’s high. Find your limit and stick to it. But don’t worry about it if you go over or under your number. Worrying wastes time ;-) If you have an account that bridges both personal and professional, then break it down like this at first. Adjust as needed:
50% content tweets (cool articles, helpful posts, beautiful images, quotes)
25% professional tweets (book excerpts, deals, product images)
25% personal tweets (jokes, observations)
4) Tweet your best stuff again. And again.
Be sure to tweet your good stuff often. Don’t worry about it being seen by everyone every time. It won’t be. To stand out in the noise you need to put your best foot forward, and sometimes that best foot is wearing an old shoe. Yeah, my metaphors suck today, but I’m still right.
Tip: If you sign up for Twitter ads you can get incredible insights into what tweets get the most engagement.
Track this data and retweet the posts that have legs to them. Logically, you wouldn’t lean on tweets that are based on breaking news too many times. But if you make a funny observation about life, really it’ll never get old!
Sticking to these rules for my Twitter-life has cleared up my head so I can pay attention to work and family and Angry Birds Star Wars.
What do you do to maximize your time-spent:impact ratio?
by Ben Zackheim | Jul 28, 2014 | Writing |
I’m not sure why Goodreads hides their “Add a New Book” page from us. Are they afraid of some kind of literary hack? Or an avalanche of white papers? A storm of porn? Whatever the reason, just try to search for “add my book to goodreads” and you’ll find what you’re looking for waaaaaaay down on the search results page.
All you have to do is go to this url, and you’re set:
Add my book to Goodreads
Simple post for a simple process. Made hard by Goodreads.
Good luck!
by Ben Zackheim | Jun 19, 2014 | Writing |
How to price your ebook can be a tough decision.
Which is surprising since there aren’t many standard price points to choose from!
$.99 – $9.99
That can be broken down in fifty cent increments or one dollar increments. ($1.49, $1.99, $2.49, etc.)
Sure, you could charge $1.27, or $6.73, but price points like that tend to make customers think they’re buying a used item.
So with a max of 19 prices, how do you price your ebook?
What does the competition charge?
Get a clear picture of what people expect to pay for your kind of story.The best place to start is to look at what the competition charges in the Top 20, then price-match the books that you’d like to compete with.
For those of us who write in those annoying little gray areas where it’s tough to find the competition… well… we need to dig a little deeper to find good facts to work from.
My Shirley Link mystery series for Middle Grade to Young Adult is a perfect example. Not many indys write in this specific category, which makes it hard to price match with competitors. I’ve found that most people just won’t pay a Nancy Drew price for an indy book.
Not enough competition to price-match? Try, and try again!
After a lot of trial and error, I’ve settled on my latest pricing strategy of:
Shirley Link & The Safe Case (#1): FREE
Shirley Link & The Hot Comic (#2): $.99
Shirley Link & The Treasure Chest (#3): $2.49
Shirley Link & Black Cat (#4): $2.99
It’s a cross between the pricing strategy of Romance ebooks and Kids ebooks. Start free, make #2 cheap, then crawl up to $2.99, where I can start to make some good money.
Frankly, it’s been a tough road to find the right price for Shirley Link! But I’m definitely getting closer as I try different prices and roll out new books.
Should I go free?
Perma-free is the term we use to describe a book that is free “forever.” Many series authors make the first book in the series free because it helps increase visibility. Going perma-free, when done right, can mean higher sales for the rest of your series.
If you write a series, then do the following to decide if you should go perma-free on Amazon.
1) Do 3 Free Promo Days with book #1.
2) Measure the sales of the entire series post-promo.
3) Answer this question: If your entire series did this well all the time would you be happy? If the answer is yes, then ask a follow-up question. Would you be happy if your series did half as well all the time? If the answer to that is yes then make the first book perma-free. Why? Because the book is strong enough to act as a good entry-point for your entire series. So it’s likely that it will drive satisfying sales. If the answer to either question is no, then perma-free is probably not for you.
If your free book doesn’t rocket readers into your other books, then permafree is not a good pricing strategy.
The bottom line is this: your audience will send strong signals if your price is wrong. For instance, if you see slow sales after a successful free promo day on Amazon, then one reason could be the price point. “But I charge one buck for my ebook!” you might say.
The problem could still be with your price.
Your price may be too low.
Try jacking it up 50 cents. Yes, really. It worked for my third Shirley Link book.
One last tip is to reach out to fans. Ask them what they think the book is worth. Your readers can offer some keen insights on topics ranging from pricing to book description to, of course, story content!
How did you decide the price for your ebook? Do you experiment a lot, too?
Check out my post on how to make your book free on Amazon.
by Ben Zackheim
You may also like:
Prepare your book for its KDP Select free promotion days
Amazon KDP Select has a bridge to sell you! No, really.
The $11 Million question: Is KDP Select worth it?
Want to do more research on pricing your book? Here’s some good reading:
Smashwords survey
PBS
Nick Stephenson (with nifty graphs!)
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by Ben Zackheim | May 29, 2014 | Digital Identity, Writing |
NOTE: In the coming months I’m going to write about how we present ourselves online. Digital ID, as I call it, is the sum of:
After two decades of doing business online, I’ve realized that we must know who we are offline to establish the strongest Digital ID. I’ll set out to prove that thesis in my articles.
We’re all learning how to maneuver this wonderful, liberating mess together! So I look forward to hearing this community’s opinions.
—
I like the image above because it’s how I feel when I wake up in the morning and put on my marketing cap and get on Facebook. I feel like I’m immersed in a pool of people, some of us connected, some of us not, some of us wanting to be connected, some of us not. And I think it’s important to recognize that mess. I think understanding how messy things are makes it easier to understand how we feel about establishing a digital ID. And, just as importantly, what we need to do to set up our own Digital ID.
What do I mean by that?
Here’s my best explanation: I’m a strong believer in the independent storyteller’s power. Not just the power of moving people to think and act and feel, but the power to find an audience on your own that you can tell your story to.
The Slow, Agonizing, Delightful Death of the Gatekeeper
For a long time, storytellers have been ruled by gatekeepers who got to tell us, “That story is good enough and worth this much. But that one sucks and good luck!”
Those days are coming to an end.
And how do I know this?
Because I was a gatekeeper.
I told some brilliant people that their stuff wouldn’t make it in today’s market. Sometimes I was right, sometimes wrong. But the powerful emotions I felt when I saw some of them move on and do great things were undeniable.
I wasn’t regretful.
I wasn’t envious.
I was inspired.
I saw them leveraging brand new tools, online services, ways of connecting that no one had thought of. They found their audience without Viacom, ESPN, AOL, Sony and all those other places where I worked.
Those gatekeepers were wrong.
I was wrong.
For my part, I had enough confidence in my own writing talent to strike out and try this new world on for size myself.
Now, the jury is still out on whether that was a good idea. While I’m doing great, I’m not making a living wage at writing my books. But I like the trajectory and I love the process. The freedom is exhilarating.
And it’s messy. Like this post’s image.
So what does this mean for working artists?
We’re living through a fundamental shift in how people learn about us and how we learn about them. As a writer looking for an audience I know in my heart that I’ll find my readers only if I stay true to myself.
To be clear, I find the incredibly detailed tracking of people by big companies creepy. I don’t trust them with the information. The counterpoint is that most of them are sharing that data with everyone. Some charge (like FB) and some don’t (like Google). Does that make it okay? I don’t know the answer to that.
I do know that I can go online and have a universe of data on my target audience at my fingertips. If I work hard, stay true to myself and my work, I can reach them and I can make a living telling my stories. The sacrifice I make is that my interests, preferences, friends and behavior is also thrown into this messy pool of data — slicing my identity into little pieces for another artist or writer or entrepreneur to scour through and evaluate.
[Tweet "I'm a data point for someone else. And they're mine."]
It’s a fascinating, liberating, terrifying time. And I’m delighted to be a part of the mess every single day.
by Ben Zackheim | May 28, 2014 | Book Promotion, Sell your book |
What are keywords? They’re the words you use to describe your book. Sometimes you’ll hear them called keyword phrases, but that just means keywords that are more than one word long. For example, “hero” is a keyword and “android hero” is a keyword phrase.
Amazon asks for keywords.
BN.com asks for keywords.
In fact, every site with media wants them.
But why is it so important to find keywords for your book?
Keywords are a primary way for a store to understand what your book is about. When you give your book a keyword, you’re giving it an identity. After all, “detective” paints a different picture in your head than “cooking.” Keywords are beacons, pings, scents that get picked up by search engines, recommendation bots and, oh yeah… readers.
Keywords are like perfume. If chosen wisely, they make your book more attractive to the right folks. The kind of folks who are so totally into you (and your book).
So how do you find keywords to use for your book?
How do you find keywords that will help your book get visible on the online stores?
1) Be specific and be honest.
Use words that truly describe your book, not what you think will be popular.
And when you choose the keywords, use specific terms like “android hero” instead of “hero”. This will help the book get spotted by folks with specific tastes.
2) String a couple of words together to make a short, clear phrase.
So use “mystery series for kids 9-12” instead of just “kids mystery”. These keyword terms will map well with what customers actually type into the search bar when they’re looking for a book.
Use keywords in the same way a customer would use them. Example: sleuth mysteries, not mysteries sleuth
3) Test your keywords.
Go to the online bookstores where you sell your book.
Type in one of the words you chose for your book. Notice the window that drops down?
Those are suggestions for readers to make their search easier. But it’s also list of suggestions for authors trying to find keywords for their book!
Here’s how.
Scan the list of terms in that drop-down menu. Click on the first one that truly applies to your book. Do you like the results you see for that term? Do those books look like your competition? Then use that term! It applies to your book and it’s popular enough to appear in the drop-down menu — so go for it.
4) On Amazon, be sure to use all seven keywords or short phrases.
Separate them by a comma.
5) Be sure to use your keywords in the book metadata AND in the book description.
If the scent fits, then wear it everywhere! The more you use appropriate keywords on your book’s sales page, the better your chances of connecting to the right customer.
Keep these five tips in mind while you’re prepping your book for sale. You can also follow these tips if you want to find keywords for your existing books. I’ve seen Shirley Link & The Safe Case climb up two popular lists on Amazon just by tweaking the keywords after launch.
Good luck! It can be tough to find keywords for your book that work well. But as Amazon says, “To increase your book’s discoverability on Amazon, you need descriptions and keywords that accurately portray your book’s content and use the words customers will use when they search. Along with factors like sales history and Amazon Best Sellers Rank, relevant keywords can boost your placement in search results on Amazon.com. ”
You can’t be everything to everybody. That’s a recipe for failure. So choose your scent and find your book lovers!
Other writer’s advice on how to find keywords for books:
KDP Forum Post
Lindsay Buroker
The Metanautics Department (some interesting thoughts on using Google’s keyword tool to recognize term popularity in the general population)
By Ben Zackheim
You might also like:
How to write an author bio that sells books
Choose the best genre for your book on Amazon
